Ernest Chausson - Poème de l'amour et de la mer - Sasha Cooke & Yehuda Gilad (45RPM)
Ernest Chausson - Poème de l'amour et de la mer - Sasha Cooke & Yehuda Gilad (45RPM)
Ernest Chausson - Poème de l'amour et de la mer - Sasha Cooke & Yehuda Gilad (45RPM)
Ernest Chausson - Poème de l'amour et de la mer - Sasha Cooke & Yehuda Gilad (45RPM)

Ernest Chausson - Poème de l'amour et de la mer - Sasha Cooke & Yehuda Gilad (45RPM)

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Amédée Ernest Chausson - Poème de l'amour et de la mer

Sasha Cooke, mezzo-soprano

The Colburn Orchestra

Yehuda Gilad, conductor

Caitlin Kelley, concert master

 

1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Live

Record Press : unspecified

Label : Yarlung

Original Label : Yarlung

Recorded in Zipper Hall at The Colburn School, Los Angeles on February 5-7, 2012

Engineered by Bob Attiyeh

Produced by Bob Attiyeh

Mastered by Bernie Grundman

To be released in June 2022

 

Tracks:

Side A:

  1. La fleur des eaux
  2. Interlude

Side B:

  1. La mort de l'amour

 

Reviews:

Opera News heralded mezzo-soprano Sasha Cooke’s debut album on Yarlung Records and described her onstage “attractive, erotic stage presence.” Writing in Opera News specifically about this recording Eric Myers continues “Chausson’s heartfelt Poème de l’Amour et de la Mer is a magnificently over-the-top work, one that can be hugely effective when performed by a singer of Cooke’s intelligence and restraint. … her voice rides beautifully atop Chausson’s churning Symbolist score.” The New Zealand Herald describes Sasha’s voice as “bewitchingly lustrous.”

Sasha’s concert and opera schedule now takes her all over the world. Sasha won her first GRAMMY® Award for Sony’s DVD release of Doctor Atomic from The Met and her second GRAMMY for The (R)evolution of Steve Jobs at Santa Fe Opera. In addition to her performances in the major concert halls and opera houses around the world, Sasha performs regularly with The English Concert conducted by Yarlung’s Special Advisor Harry Bicket. 

To capture the luscious sound of Sasha Cooke and Colburn Orchestra in the wonderful acoustics of Zipper Hall at The Colburn School, we built out and doubled the size of the stage to accommodate the number of musicians. We chose two coincident Neumann U-47s for 95% of the sound and two AKG C-12s for a small amount of reinforcement for the percussion and winds. We used microphone preamplifiers made for Yarlung by Elliot Midwood. We summed into two tracks as usual, without using a mixing board, and went directly to Agfa-formula 468 tape.

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