Foreigner - Double Vision (Ultra Analog, Half-speed Mastering)
Foreigner - Double Vision (Ultra Analog, Half-speed Mastering)
Foreigner - Double Vision (Ultra Analog, Half-speed Mastering)
Foreigner - Double Vision (Ultra Analog, Half-speed Mastering)

Foreigner - Double Vision (Ultra Analog, Half-speed Mastering)

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Lou Gramm – lead vocals

Mick Jones – lead guitar, backing vocals, acoustic piano, lead vocals (4, 8)

Ian McDonald – guitars, keyboards, reeds, vocals

Al Greenwood – keyboards

Ed Gagliardi – bass, vocals

Dennis Elliott – drums

Additional musicians

Ian Lloyd – backing vocals

David Paich – string arrangements


1 LP, standard sleeve

Limited numbered edition

Original analog Master tape : YES

Half-speed Mastering

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”



Record Press : RTI

Label : MOFI

Original Label : Atlantic

Recorded December 1977 - March 1978 at Sound City, Los Angeles

Engineered by David De Vore, Keith Olsen

Produced by Ian McDonald, Keith Olsen, Mick Jones

Remastered by Krieg Wunderlich

Originally released in 1978

Reissued in 2011



Side A :

  1. Hot Blooded
  2. Blue Morning, Blue Day
  3. You're All I Am
  4. Back Where You Belong
  5. Love Has Taken Its Toll


Side B :

  1. Double Vision
  2. Tramontane
  3. I Have Waited So Long
  4. Lonely Children
  5. Spellbinder


Reviews :

"Foreigner promptly followed up its blockbuster debut with the equally successful Double Vision LP in 1978, which featured the FM mega-hits "Hot Blooded" and the driving title track. Opting not to mess with a good formula, the band wisely sticks to the polished hard rock sound that made its first record such a hit. Aside from the big singles, other highlights include the swaggering "Love Has Taken Its Toll" and the more restrained "Blue Morning, Blue Day." As always, Lou Gramm's impeccable rock vocals lead the way, supported by Mick Jones' tasteful, arena-sized guitar riffs." AllMusic Review by Andy Hinds


Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.


Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.


Ratings :

AllMusic : 4 / 5 , Discogs : 3,94 / 5

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