Frederick Knight – I've Been Lonely For So Long
Frederick Knight – I've Been Lonely For So Long - Audiophile
Frederick Knight – I've Been Lonely For So Long
Frederick Knight – I've Been Lonely For So Long
Frederick Knight – I've Been Lonely For So Long - Audiophile
Frederick Knight – I've Been Lonely For So Long

Frederick Knight – I've Been Lonely For So Long

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RARITY - Sealed

Frederick Knight - Vocals, Drums, Piano, Organ, Percussion

Backing Vocals – Sam Dees, The Excavations, Aaron Varnell

Bass, Percussion, Tenor Saxophone – Aaron Varnell

Acoustic Guitar – Glen Wood

Baritone Saxophone – Ronnie Eades

Bass – Jesse Boyce, Randy Carmichael

Drums – Eddie Massey, Freeman Brown

Lead Guitar, Rhythm Guitar – Jesse Carr

Piano, Organ – Herbert Ivey

Rhythm Guitar – Jerry Weaver

Tenor Saxophone – Harvey Thompson

Arranged by Frederick Knight, Aaron Varnell, Dale Warren, Harrison Calloway

Written by Jerry Weaver (A1, B1), Posie Knight (A1), Frederick Knight (A2, A3, A4, A6, B3, B4), Aaron Varnell (A3, A6, B3, B4), Sam Dees (A3, A6), Harrison Calloway (A5), Jesse Boyce (A6), Brenda Yancy (B2), Tommy Tate (B2), Harvey Fuqua (B5), Jackie Beaver (B5), Johnny Bristol (B5)

     

     

    1LP, standard sleeve

    Limited edition

    Original analog Master tape : YES

    Heavy Press : 180g

    Record color : Black

    Speed : 33 RPM

    Size : 12'’

    Stereo

    Studio

    Record Press : Quality Record Pressing

    Label : VMP (Vinyl Me Please) - Classics series

    Original Label : Stax

    Recorded in 1972–1973 at Sound of Birmingham, Birmingham, Alabama

    Engineered by Frederick Knight, Gaston Nichols, Glen Woods, Neal Hemphill, Jerry Weaver

    Re-Mixed by Henry Bush, Pete Bishop, William Brown

    Produced by Frederick Knight

    Lacquer cut by Ryan Smith at Sterling Sound

    Photography by Frederick Toma, Maldwin Hamlin

    Cover Design by Ron Gorden

    Originally released in 1973

    Reissued in 2021

     

     

    Tracks:

    Side A

    1. I've Been Lonely For So Long
    2. This Is My Song Of Love To You
    3. Take Me On Home Witcha
    4. Friend
    5. I Let My Chance Go By
    6. Your Love's All Over Me

    Side B

    1. Pick'um Up, Put'um Down
    2. Now That I've Found You
    3. Lean On Me
    4. Trouble
    5. Someday We'll Be Together

     

    Reviews:

    “Southern soul rarely if ever sounded so, so good. Simultaneously smooth and raw, “Lonely” has an immediacy that hits you where you live and then sticks around for a little while, taking up space on your sofa.

    Frederick Knight’s catchy “I’ve Been Lonely for So Long” was a sizable RB hit on Stax in 1972, and he wrote and produced Anita Ward’s across-the-board smash “Ring My Bell” in 1979. Knight cut his own “I’ve Been Lonely for So Long” in Birmingham, Alabama with a seasoned southern soul crew behind him, and hit again in 1975 with “I Betcha Didn’t Know That“.

    Mr. Knight uses his fine falsetto to best effect on the title song, which made it to #8 in the R&B charts in 1972. He also plays piano, organ, drums and percussion all over this self-produced 1973 Stax reissue. The album has plenty of fine songs. “ I Let A Chance Go By” is a wonderful mid-tempo look at regret and misery. Could it be a woman making Frederick so unhappy? Possibly. The vaguely doo-wopish ‘Now That I’ve Found You” is also worth a play or ten. Knight can manage funky, too, as he does on “Your Love’s All Over Me/ Take Me On Home Witcha/ Pick ‘Um Up, Put ‘Um Down”. His cover of ‘Someday We’ll Be Together” is great.

    Frederick Knight was one of the many crooning Soul singers that signed to Stax. The title cut is a perfect example of his style with its light and catchy air led by Knight’s singing and the guitar. Trouble is in a similar vein. On the other hand, Friend and Lean On Me show a down home southern Soul feel to them, while ‘Take Me On Home Witcha” and “I Let My Change Go By” are more upbeat numbers. There’s also “Your Love’s All Over Me” and “Pick Um Up, Put Um Down” that get a little funky, especially the former track that has a little James Brown in it. Knight is even able to add his how style to the Motown song “Someday We’ll Be Together” that ends the album. The funky numbers are an added bonus, but it’s really the Soul of the record that holds its value.” FunkMySoul Review

     

     

     

    Ratings :

    AllMusic : 4.5 / 5 ; Discogs : 4.35 / 5 

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