Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Out of stock
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic
Hosea Hargrove and Birdlegg (200g, D2D) - AudioSoundMusic

Hosea Hargrove and Birdlegg (200g, D2D)

€29,00
worldwide-delivery
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union

Birdlegg – Harp (A1-B3), vocals (B1-3)

Hosea Hargrove – Vocals (A1-3), Guitar (A1-3)

Marquise Knox - Guitar (B1-3)

Written by Willie Dixon (A1), Luther Johnson (A2), Eddie C. Campbell (A3), Gene Pittman (B1, B3), E. Abner (B2), Jimmy Reed (B2)

 

1 LP, standard sleeve

Direct-to-Disc recording

Heavy Press : 200g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Quality Record Pressings

Label : APO

Original Label : APO

Recorded at Blue Heaven Studios

Engineered by Katsuhiko Naito

Produced by Chad Kassem

Remastered by Kevin Gray

Released in 2014

 

Tracks:

Side A:

  1. Hoochie Coochie Man
  2. Southern Country Boy
  3. I’m In Love With You Baby

Side B:

  1. Down In My Shoes
  2. You Upset My Mind
  3. Restraining Order Blues

 

Direct-to-disc (D2D) recording refers to sound recording methods that record audio directly onto analog disc masters bypassing steps as master tapes, overdubs, and mix downs from multi-tracked masters. This approach avoids problems of analog recording tape such as tape hiss (high frequency noise).

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