Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)

Jerry Garcia and David Grisman - Garcia/Grisman (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)

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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Jerry Garcia – guitar, vocals

David Grisman – mandolin

Jim Kerwin – bass

Joe Craven – percussion, fiddle

 

2 LPs, gatefold sleeve

Limited numbered edition

Original analog Master tape : YES

Half-speed Mastering

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 45RPM

Size : 12”

Stereo

Studio

Record Press : RTI

Label : MOFI

Studio

Record Press : RTI

Label : MOFI

Original Label : Acoustic Disc

Recorded Spring 1991 at Dawg Studios, Los Angeles

Engineered by Decibel Dave, Dawg, Jerry

Produced by David Grisman, Jerry Garcia

Remastered by Krieg Wunderlich

Originally released in 1991

Reissued in 2014

 

Tracks:

Side A :

            The Thrill Is Gone

            Grateful Dawg

            Two Soldiers

           

Side B :

            Friend of the Devil

            Russian Lullaby

            Dawg’s Waltz

           

Side C :

            Walkin’ Boss

            Rockin’ Chair

           

Side D :

            Arabia

 

 

Reviews :

"This Grammy-nominated disc heralds the origins of the highly acclaimed acoustic duo of Jerry Garcia (guitar/vocals) and David "Dawg" Grisman (mandolin). They had been chums for years by the time they began their direct partnership in earnest on December 7, 1990, with a nine-song set at the Sweetwater in Mill Valley, CA. Over half of that material would be reworked the following spring -- for inclusion on this disc -- at Grisman's newly appointed, plush, and well-lit Dawg Studios. Along with David Grisman Quintet members Jim Kerwin (bass) and Joe Craven (percussion/fiddle), Garcia and Grisman revive a few familiar tunes covering every dimension of popular music, ranging from the blues ("The Thrill Is Gone") to folk-rock ("Friend of the Devil"), as well as pop music standards such as Irving Berlin's "Russian Lullaby" -- which Garcia had previously covered on his 1974 Garcia (Compliments) album -- and Hoagy Carmichael's "Rockin' Chair." They also examined the origins of authentic traditional folk ("Walkin' Boss"/"Two Soldiers"). Additionally, the pair collaborated on the original instrumental "Grateful Dawg," which coalesces the distinct styles of Grisman's "Dawg Music" with Garcia's Grateful Dead intonations. The results are categorically brilliant and undoubtedly helped usher in the contemporary bluegrass and progressive bluegrass movements. Grisman's sonically perfected studio coupled with his decades of hands-on engineering and producing expertise helped immensely in capturing and accurately reproducing their unaffected acoustic intimacy. Nowhere is this more evident than the 16-plus minute "Arabia" -- which would become a showstopper once they hit the road in the early '90s. The sound quite literally envelopes the listener, who autonomically becomes drawn into the track as it twists and slithers through several different movements -- including the central theme, credited in the liner notes as being based on the traditional Cuban melody "Hasta Siempre." All dimensions of "unplugged" enthusiasts who have not already made Jerry Garcia/David Grisman a top priority are strongly encouraged to do so." AllMusic Review by Lindsay Planer

       

      Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.

       

      Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.


      Ratings :

      AllMusic : 4,5 / 5 , Discogs : 4,74 / 5

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