Julian Bream - Guitar Concertos
Julian Bream - Guitar Concertos
9% off
Julian Bream - Guitar Concertos
Julian Bream - Guitar Concertos

Julian Bream - Guitar Concertos

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Mauro Giuliani - Concerto For Guitar And Strings

Malcolm Arnold - Guitar Concerto, Op. 67

Classical Guitar – Julian Bream

Melos Ensemble conducted by Malcolm Arnold :

  • first violin: Emanuel Hurwitz
  • second violin: Ivor McMahon
  • viola: Cecil Aronowitz
  • cello: Terence Weil
  • double bass: Adrian Beers
  • clarinet: Gervase de Peyer
  • horn: Neil Saunders
  • flute: Richard Adeney


1 LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”



Record Press :  Quality Record Pressings

Label :  Analogue Productions

Original Label :  RCA Victor

Recorded in September 1959 at Decca Studios, London, England

Engineered by A. Lilley

Produced by Michael Bremmer

Remastered by Ryan Smith at Sterling Sound

Plated by Gary Salstrom

Sleeve Notes by Julian Bream

Originally released in January 1961

Reissued in June 2022


Tracks :

Side A : Mauro Giuliani - Concerto For Guitar And Strings

  1. Allegro Maestoso
  2. Andantino Siciliano
  3. Alla Polacca

Side B : Malcolm Arnold - Guitar Concerto, Op. 67

  1. Allegro
  2. Lento
  3. Con Brio



    TAS Super LP List! Special Merit: Classical

    Reviews :

    Julian Bream was born in London in 1933. He made his first recital appearance in 1947 and a year later made his London debut. He became prominent in Britain's musical life through his recitals, tours for the Arts Council, and television and radio appearances. Mauro Giuliani was one of several composers who succeeded in establishing the guitar concerto as an accepted musical convention. This is the first genuinely "virtuoso" concerto written for the instrument. Malcolm Arnold is a composer of pathos and deep instensity. His concertos, written mainly for virtuoso friends, includes the Guitar Concerto, written for Bream and recorded here with Arnold conducting.

    Fully aware that Spain is the "spiritual" home of the guitar, Arnold has deliberately decided here to give the instrument a more universal character. He has circumvented the Spanish overtones of the instrument by subtle use of modal melodic material.



    Discogs 4.57 / 5

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