Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)
Kurt Rosenwinkel - Intuit (2LP)

Kurt Rosenwinkel - Intuit (2LP)

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Kurt Rosenwinkel - guitar

Michael Kanan - piano

Joe Martin - bass

Tim Pleasant – drums

Written by I. Berlin (A1), G. Shearing (A2, D2), J. Van Heusen (A3), Ch. Parker (B1, B3, C2), Jack Segal (B2), Marvin Fisher (B2), Michael Kanan (C1), George Gershwin (D1)

 

2LP, Gatefold Jacket

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : Black

Speed : 33RPM

Size : 12'’

Stereo

Studio

Record Press : unspecified

Label : Elemental Music

Original Label : Criss Cross Jazz

Recorded at Acoustic Recording Studio, Brooklyn, NY, August 14 & 15, 1998

Engineered by Michael Brorby

Mixed by Max Bolleman

Produced by Gerry Teekens

Liner Notes by Michael Kanan

Photography by Gildas Boclé

Originally released in 1998 (as a CD)

Reissued in March 2023 (first time on vinyl)

 

Tracks :

Side A:

  1. How Deep Is the Ocean?
  2. Conception
  3. Darn That Dream

Side B:

  1. Dewey Square
  2. When Sunny Gets Blue
  3. Sippin' at Bells

Side C:

  1. Epiphany
  2. Segment

Side D:

  1. Summertime
  2. Conception II


    Reviews :

    “Intuit, a quartet session devoted entirely to standards, is not entirely representative of Kurt Rosenwinkel's art. However, it does reveal the depth of the guitarist's expertise in the bop idiom, and is therefore worth the attention of devoted fans. Rosenwinkel's sound throughout this straight-ahead excursion is fairly dry -- a touch of reverb, no shimmering delay, no ethereal vocalizing, a bit less distinctive than usual. His highly modern approach to harmony often comes through, however, even on vehicles as traditional as "Darn That Dream." And, as always, he uses the physical properties of the guitar to alter the sonic dimensions of his lines, as when he plays a long string of 16th notes near the bridge during his solo on "When Sunny Gets Blue." Other highlights include two fast takes of George Shearing's "Conception" and two less-than-commonplace Charlie Parker heads, "Dewey Square" and "Segment." (Miles Davis's "Sippin' at Bells" is wrongly credited to Parker as well.) Rosenwinkel's partners are pianist Michael Kanan (author of "Epiphany," the date's only original), bassist Joe Martin, and drummer Tim Pleasant. The way he interacts with these straight-ahead players says a great deal about his breadth as a jazz musician. It also foreshadows his later attempts to blur the boundary between standard and original repertoire.” AllMusic Review by David R. Adler


    Rating:

    AllMusic: 3 / 5 ; Discogs : 4.67 / 5

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