Mendelssohn - Violin Concerto In E Minor & Bruch - Scottish Fantasia - Alfredo Campoli
Mendelssohn - Violin Concerto In E Minor & Bruch - Scottish Fantasia - Alfredo Campoli
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Mendelssohn - Violin Concerto In E Minor & Bruch - Scottish Fantasia - Alfredo Campoli
Mendelssohn - Violin Concerto In E Minor & Bruch - Scottish Fantasia - Alfredo Campoli

Mendelssohn - Violin Concerto In E Minor & Bruch - Scottish Fantasia - Alfredo Campoli

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Felix Mendelssohn - Violin Concerto In E Minor, Op. 64

MAx Bruch - Scottish Fantasia, Op. 46

Alfredo Campoli, violin

The London Philharmonic Orchestra

Sir Adrian Boult, conductor

 

1LP, standard sleeve

Original analog Master tape : YES

Heavy Press : 180g Virgin vinyl

Record color : Black

Speed : 33RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas (Germany)

Label : Analogphonic

Original label : Decca

Mastered by Maarten de Boer

Originally released in 1959

 

Tracks :

Side A : Mendelssohn - Violin Concerto In E Minor, Op. 64

  1. 1st Mov. Allegro Molto Appassionato
  2. 2nd Mov. Andante
  3. 3rd Mov. Allegro Molto Vivace

Side B : Bruch - Scottish Fantasia, Op. 46

  1. Introduction
  2. 1st Mov. Adagio Cantabile
  3. 2nd Mov. Allegro
  4. 3rd Mov. Andante Sostenuto
  5. 4th Mov. Allegro Guerriero

 

Reviews:

“Campoli plays most beautifully – the finale, in particular, is accurate and brilliant in the extreme... Campoli’s sweet-toned account of the Mendelssohn has given pleasure for many years. His lyrical feeling in the slow movement and his virtuosity in the finale are asself-evident as is the excellence of the accompaniment under Sir Adrian Boult. There are many felicitous touches and the distinguished soloist plays magnificently throughout. His account of the Bruch Scottish Fantasia is no less fine, and the recorded sound is amazingly fresh.” The Gramophone Magazine

“Certainly the Mendelssohn Concerto was Campoli’s signature dish... and this 1958 stereo recording is much admired. Campoli’s tone is deliciously sweet and he has typically interesting ideas in the passagework. As ever the slow movement is the heart of things,with affectionate lyricism always to the fore. The finale is poised, fluent and fleet - but not flashily so. The Scottish Fantasy was a work Campoli only recorded once... Campoli is an expressive host, warmly moulding the ‘MacBruch’ tunes to delightful effect. The scherzo is played with pure panache and there are some lovely diminuendi in the Andante sostenuto. He was without doubt the most dashing British violinist of his generation.” Jonathan Woolf, MusicWeb International

 

Ratings:

Discogs : 4.67 / 5

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