Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic
Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR) - AudioSoundMusic

Miles Davis - Miles in the Sky (Hybrid SACD, Ultradisc UHR)

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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Miles Davis, trumpet [click here to see more vinyl featuring Miles Davis]

Wayne Shorter, tenor saxophone [click here to see more vinyl featuring Wayne Shorter]

Herbie Hancock, piano, electric piano [click here to see more vinyl featuring Herbie Hancock]

Ron Carter, bass [click here to see more vinyl featuring Ron Carter]

Tony Williams, drums

George Benson, electric guitar on "Paraphernalia" [click here to see more vinyl featuring George Benson]

 

1 SACD gatefold jacket

Limited numbered edition

Original analog Master tape : YES

Stereo

Studio

Label : MOFI

Original Label : Columbia

Recorded January 16 and May 15–17, 1968 at Columbia Studio B in New York City

Engineered by Arthur Kendy, Frank Laico

Produced by Teo Macero

Mastered by Shawn R. Britton at Mobile Fidelity Sound Lab, Sebastopol, CA on The Gain 2 System™

Manufactured by Sony Music Entertainment

Glass master manufactured at Sony DADC

Originally released in 1968

Reissued in September 2016

 

Tracks:

  1. Stuff
  2. Paraphernalia
  3. Black Comedy
  4. Country Son

     

    Reviews :

    “Mo-Fi's Miles reissues keep coming. Porgy and Bess another atmospheric Miles-Gil Evans collaboration dropped early 2020. While all of these Miles albums are musically significant and many are sonically excellent on both original pressings and on these reissues, the biggest sonic surprise was how much better the reissued quintet (Shorter, Hancock, Carter, Williams) recordings sound compared to the originals. Whatever happened in the original mastering has been vastly improved on Nefertiti, Miles in the Sky and Filles De Kilimanjaro. If you have originals and think, you're covered, you're not! Get these while you can.” Michael Fremer, Analog Planet

    "With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures." AllMusic Review by Stephen Thomas Erlewine

     

    Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.


    Ratings :

    AllMusic : 3.5 / 5 , Discogs : 4.67 / 5 

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