Milt Jackson - Plenty, Plenty Soul
Milt Jackson - Plenty, Plenty Soul
Milt Jackson - Plenty, Plenty Soul
Milt Jackson - Plenty, Plenty Soul

Milt Jackson - Plenty, Plenty Soul

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Milt Jackson – vibes [click here to see more vinyl featuring Milt Jackson]

Joe Newman - trumpet

Jimmy Cleveland - trombone (A1–3)

Cannonball Adderley - alto saxophone (A1–3) [click here to see more vinyl featuring Cannonball Adderley]

Frank Foster (A1–3), Lucky Thompson (B1-4) - tenor saxophone

Sahib Shihab - baritone saxophone (A1–3)

Horace Silver - piano [click here to see more vinyl featuring Horace Silver]

Percy Heath (A1–3) - bass

Oscar Pettiford (B1-4) - bass [click here to see more vinyl featuring Oscar Pettiford]

Art Blakey (A1–3) - drums [click here to see more vinyl featuring Art Blakey]

Connie Kay (B1-4) – drums

Quincy Jones - arranger (A1–3)

Written by Julian Adderley (B1), Milt Jackson (A1 to A3, B2, B3), Quincy Jones (A1, A2, B4)

1 LP, standards sleeve

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”



Record Press :  Pallas

Label :  ORG Music

Original Label : Atlantic

Recorded January 5 & 7, 1957 by Johnny Cue

Produced by Nesuhi Ertegun

Remastered by Bernie Grundman

Originally released in 1957

Reissued in 2013

Tracks :

Side A:

  1. Plenty, Plenty Soul
  2. Boogity Boogity
  3. Heartstrings        

Side B:

  1. Sermonette
  2. The Spirit-Feel
  3. Ignunt Oil
  4. Blues At Twilight


Reviews :

"This superior reissue combines together two sessions led by vibraphonist Milt Jackson. Actually, although Bags is in fine form (and contributed four of the seven selections), he is often overshadowed by rather inspired solos from his sidemen. The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later." AllMusic Review by Scott Yanow

Ratings :

AllMusic 4,5/5  ,   Discogs 4.25 / 5

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