Monteux Conducts The London Symphony : Debussy / Ravel – Prélude À L'Après Midi D'Un Faune - Nocturnes / Pavane Pour Une Infante Défunte - Rapsodie Espagnole - Audiophile
Monteux Conducts The London Symphony : Debussy / Ravel – Prélude À L'Après Midi D'Un Faune - Nocturnes / Pavane Pour Une Infante Défunte - Rapsodie Espagnole - Audiophile
Monteux Conducts The London Symphony : Debussy / Ravel – Prélude À L'Après Midi D'Un Faune - Nocturnes / Pavane Pour Une Infante Défunte - Rapsodie Espagnole - Audiophile
Monteux Conducts The London Symphony : Debussy / Ravel – Prélude À L'Après Midi D'Un Faune - Nocturnes / Pavane Pour Une Infante Défunte - Rapsodie Espagnole - Audiophile

Monteux Conducts The London Symphony : Debussy & Ravel – Prélude À L'Après Midi D'Un Faune, Nocturnes, Pavane Pour Une Infante Défunte, Rapsodie Espagnole

€95,00
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If damaged they would be refunded after return but not exchanged.
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RARITY - Sealed

Debussy – Prélude À L'Après Midi D'Un Faune, Nocturnes (A1 to A2.b)

Ravel - Pavane Pour Une Infante Défunte, Rapsodie Espagnole (B1.a to B2)

Orchestra – London Symphony Orchestra

Conductor – Pierre Monteux

 

 

1LP, Standard Sleeve

Limited to 2,500 copies

Original analog Master tape : YES

Heavy Press : 180g  Virgin Vinyl

Record color : Black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas

Label : Speakers Corner

Original Label : Decca

Recorded in Kingsway Hall

Engineered by Kenneth Wilkinson

Produced by Erik Smith

Originally released in 1962

Reissued in 1993

 

 

Tracks :

Side A:

1. Prélude À L'Après-Midi D'Un Faune

2. Nocturnes

2.a. Nuages

2.b. Fêtes

Side B:

1.Rapsodie Espagnole

1.a. Prélude À La Nuit

1.b. Malangueña

1.c. Habanera

1.d. Feria

2. Pavane Pour Une Infante Défunte

 

 

Reviews:

“Transparent and spacious, wide and naturally staged, clean yet rich, with zero coloration, there is nothing here to fault. Nearly Triple Plus all the way. So relaxed and natural you will soon find yourself lost in the music.

It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording. We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.

Kenneth Wilkinson engineered in Kingsway Hall. There is a richness to the sound that is exceptional, yet clarity and transparency are not sacrificed in the least.

It’s as wide, deep and three-dimensional as any, which is, of course, all to the good, but what makes the sound of these recordings so special is the timbral accuracy of the instruments in every section.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. They cannot begin to sound the way this record sounds.

On retiring, Wilkinson received a special gold disc produced by Decca with extracts of his recordings. He received three Grammys for engineering: 1973, 1975, and 1978. He also received an audio award from Hi-Fi magazine in 1981 and the Walter Legge Award in 2003 “…for extraordinary contribution to the field of recording classical music.”” On The Record Review

 

 

Ratings :

Discogs : 4.67 / 5

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