Mozart - Piano Concertos Nos. 21 & 24 - Eugene Istomin & Gerard Schwarz (2LP, 45RPM, 200g, Half-speed Mastering)

Mozart - Piano Concertos Nos. 21 & 24 - Eugene Istomin & Gerard Schwarz (2LP, 45RPM, 200g, Half-speed Mastering)

badge
€79,00
VAT included in price for European Union countries. VAT may be adjusted based on delivery country at check-out. Shipping cost (free above 99€ purchase within European Union) will be added at check-out.
banner
WE USUALLY SHIP VINYL WITHIN 3 TO 5 WORKING DAYS
But due to high demand we sometines need more time

Wolfgang Amadeus Mozart - Concerto No. 21 in C Major, K. 467 & Concerto No. 24 in C Minor, K. 491

Eugene Istomin, piano

Seattle Symphony Orchestra

Gerard Schwarz, conductor        

 

2 LPs, Stoughton gatefold jacket

Original analog Master tape : YES

Half-Speed Mastering

Heavy Press : 200g Virgin Vinyl

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Studio

Record Press : Quality Record Pressings

Label : Reference Recordings

Original label : Reference Recordings

Recorded on October 10, 1995 at St. Thomas Center, Bothell, Washington

Recorded by Sean Royce Martin

Engineered by Keith O. Johnson

Mastered at half-speed by Paul Stubblebine

Produced by David Frost

Released in 2016

 

Tracks:

Side A : Concerto No. 21 in C Major, K. 467

  1. Allegro maestoso
  2. Andante
  3. Allegro vivace assai

Side B : Concerto No. 24 in C Minor, K. 491

  1. Allegro
  2. Larghetto
  3. Allegretto

 

Awards :

TAS Super LP List! Special Merit: Classical

Stereophile Recording of the Month May 1996

 

Half-speed mastering

In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

Recently viewed