Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE
Patricia Barber - Companion AUDIOPHILE

Patricia Barber - Companion (2LP, 45RPM, 1STEP, Case)

€195,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Patricia Barber - piano, vocal [click here to see more vinyl featuring Patricia Barber]

Bass – Michael Arnopol

Drums, Percussion – Eric Montzka

Guitar – John McLean

Percussion – Ruben P. Alvarez

Written by Sonny Bono (A1), Bill Withers (A2), Jimmie Davis (A3), Patricia Barber (B1-3, C1), Miles Davis (C2), Peter Green (D1)

 

2LPs, Case, 16 page booklet

Limited to 5,000 copies

Original analog Master tape : YES

Heavy Press : 180g VR900-Supreme

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Live

Record Press : Record Technology Incorporated

Label : Impex

Original label : Premonition Records

Recorded July 17-19 1999 at Chicago's historic Green Mill Jazz Club

Recorded and mixed by Jim Anderson

Produced by Patricia Barber

Mastered by Doug Sax

Originally released in 1999

Reissued in April 2024


Tracks:

Side A:

  1. The Beat Goes On
  2. Use Me
  3. You Are My Sunshine

Side B:

  1. Like JT
  2. Let It Rain
  3. Touch Of Trash

Side C:

  1. If This Isn't Jazz
  2. So What

Side D:

  1. Black Magic Woman

 

Reviews :

“Companion was recorded in a special three-night series of shows in July, 1999 at Chicago's famed Green Mill jazz club -- an unusually short amount of time to produce a live album. To mine as much material as possible from those nights the performances were run more like recording sessions than live shows, with the crowd reverently hushed. Patricia Barber is in her element and the only thing that seems to have suffered for the recording circumstances is the album's length -- at seven songs and 40 minutes, it walks the line between standard EP and full-length size. One surmises that it might have been longer had there been more album-quality material from the performances. Recalling the energy that was present on her critically worshipped Café Blue album, there is an ease and creativity on Companion which makes her fans' devotion understandable. Barber has been criticized for being a jazz singer in the loosest sense -- her style borrows heavily from R&B and she often covers pop songs (Sonny Bono's "The Beat Goes On" is a sheer stylish delight), and her song "If This Isn't Jazz" answers that criticism with a thumb to the nose. What many critics fail to notice, however, is the strength of her musicianship. Sexism within the industry keeps many from seeing female jazz performers playing roles other than those of vocalists -- Barber's warm, breathy voice and creative phrasing are wonderful, for sure, but what really shines are her arrangements. With a talented band behind her, on Companion Barber has made magic with her compositions, her piano playing, and yes, her voice. Intended to be a companion to Modern Cool, this album of mostly previously unrecorded material serves as an excellent introduction to all of her work.” AllMusic Review by Stacia Proefrock

 

Read Positive Feedback Review here

 

One Step. Instead of utilizing the industry-standard three-step lacquer process, one-step plating uses only one step, bypassing two processes of generational loss. One-step plating skip the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass. Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.

 

Ratings :

AllMusic : 4 / 5 , Discogs : 4.69 / 5

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