Rendez vous Musical avec Pierre Fournier - Haydn, Chopin, Rimsky-Korsakov, Schumann, Tchaikovsky, Brahms, Dvorak, … (2LP, 45RPM)
Rendez vous Musical avec Pierre Fournier - Haydn, Chopin, Rimsky-Korsakov, Schumann, Tchaikovsky, Brahms, Dvorak, … (2LP, 45RPM)
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Rendez vous Musical avec Pierre Fournier - Haydn, Chopin, Rimsky-Korsakov, Schumann, Tchaikovsky, Brahms, Dvorak, … (2LP, 45RPM)
Rendez vous Musical avec Pierre Fournier - Haydn, Chopin, Rimsky-Korsakov, Schumann, Tchaikovsky, Brahms, Dvorak, … (2LP, 45RPM)

Rendez vous Musical avec Pierre Fournier - Haydn, Chopin, Rimsky-Korsakov, Schumann, Tchaikovsky, Brahms, Dvorak, … (2LP, 45RPM)

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Pierre Fournier - cello

Lamar Crowson - piano

 

2 LPs, Gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45 RPM

Size : 12'’

Stéréo

Studio

Record Press : Pallas GmbH in Germany

Label : Analog Phonic

Original Label : Deutsche Grammophon

Recorded at München Plenar-Saal der Akademie der Wissenschaften on 8-10, Jan, 1969

Produced by Karl Faust

Remastered by Rainer Maillard at Emil Berliner Studios from the original masters of Universal Music

Originally released in 1974 in Germany

Reissued in 2018

 

Tracks:

Side A

  1. Adagio Cantabile • Allegro Vivo (Francoeur)
  2. Tempo di Minuetto (Haydn)
  3. Larghetto • Rondo (Weber)
  4. Nocturne Op. 9 Nr. 2 (Chopin)

Side B

  1. Hymne An Die Sonne (Rimski-Korssakoff)
  2. Hummelflug (Rimski-Korssakoff)
  3. Adagio Und Allegro Op. 70 (Schumann)

Side C

  1. Ave Maria (Méditation) (Gounod)
  2. Valse Sentimentale Op. 51 Nr. 6 (Tchaikowsky)
  3. Feldeinsamkeit Op. 86 Nr. 2 (Brahms)
  4. Elfentanz Op. 39 (Popper)
  5. Rondo Op. 94 (Dvořák)

Side D

  1. Der Schwan (Saint-Saëns)
  2. Variationen Über Ein Thema Aus Der Oper »Moses« (Paganini)
  3. Pezzo Cappriccioso op.62 (Tchaikowsky) - Bonus track (Previously Unreleased)

 

Reviews :

« Fournier’s tone is a constant delight, warmly lyrical yet with a plangent edge that does wonders for the more pleading episodes of Dvořak’s Rondo — a work written for the cello, and making the fact very clear. His phrasing is beautifully shapely in cantabile. And when scurrying around in Francoeur’s Allegro vivo, Rimsky-Korsakov’s Bumble-bee and Pop-per’s Elfentanz, he brings a bite to the accentuation which keeps the rhythm both tingling and disciplined. The Weber is a pleasant surprise, but I particularly enjoyed the Dvořak, the Schumann (meant for the horn but with cello as an op-tional alternative) and the Brahms... Brhams’s particular brand of deep-hued sentiment is wholly at one with the soul of the cello. » Gramophone

 

Ratings :

Discogs : 4,62 / 5

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