Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)
Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)
Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)
Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)
Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)
Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)
Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)
Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)

Sonny Stitt & Paul Gonsalves - Salt & Pepper (2LP, 45RPM)

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Sonny Stitt, alto saxophone, tenor saxophone

Paul Gonsalves, tenor saxophone

Milt Hinton, bass

Osie Johnson, drums

Hank Jones, piano

Al Lucas, bass

 

 

2 LP, Gatefold jacket

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45RPM

Size : 12”

Stereo

Studio

Record Press :  Schallplattenfabrik Pallas GmbH

Label :  Analogue Productions (Impulse)

Original Label :  Impulse!

Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey by Rudy Van Gelder

Produced by Bob Thiele

Remastered by Kevin Gray at AcousTech

Originally released in 1964

Reissued in 2011

 

Tracks :

Side A:

  1. Salt and Pepper

Side B:

  1. S'posin'
  2. Theme from Lord Po the Flies

Side C:

  1. Perdido

Side D:

  1. Stardust

 

Reviews :

"This 72-minute LP starts off with one of the underrated gems of the 1960s, an exciting match-up of tenors Sonny Stitt and Paul Gonsalves. Other than the brief throwaway "Theme from Lord of the Flies" (producer Bob Thiele's idea), this is very much a jam session, with "Salt and Pepper" being a heated midtempo blues and the two competitive tenors stretching out on "S'posin'" and a lengthy "Perdido." Actually, the most memorable selection from the date is the one on which Stitt switches to alto, "Stardust." His beautiful playing behind Gonsalves' warm melody statement raises the session to the classic level. Also included on this consistently exciting LP is a Sonny Stitt quartet set originally titled Now! Although Stitt (doubling on alto and tenor) recorded scores of quartet sessions, he sounds particularly inspired here, especially on such offbeat material as "Estralita," the Dixieland standard "Please Don't Talk About Me When I'm Gone," and "My Mother's Eyes." Highly recommended to bebop and straight-ahead jazz fans." AllMusic Review by Scott Yanow

 

Rating: 

AllMusic 4.5/5  ,  Discogs 4.44/5

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