Stevie Ray Vaughan And Double Trouble - In The Beginning (200g) - AudioSoundMusic
Stevie Ray Vaughan And Double Trouble - In The Beginning (200g) - AudioSoundMusic
Stevie Ray Vaughan And Double Trouble - In The Beginning (200g) - AudioSoundMusic
Stevie Ray Vaughan And Double Trouble - In The Beginning (200g) - AudioSoundMusic
Out of stock
Stevie Ray Vaughan And Double Trouble - In The Beginning (200g) - AudioSoundMusic
Stevie Ray Vaughan And Double Trouble - In The Beginning (200g) - AudioSoundMusic
Stevie Ray Vaughan And Double Trouble - In The Beginning (200g) - AudioSoundMusic
Stevie Ray Vaughan And Double Trouble - In The Beginning (200g) - AudioSoundMusic

Stevie Ray Vaughan And Double Trouble - In The Beginning (200g)

€59,00
worldwide-delivery
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union

Stevie Ray Vaughan, vocals, guitar [click here to see more vinyl featuring Stevie Ray Vaughan]

Jackie Newhouse, bass

Chris Layton, drums

 

1 LP,  gatefold sleeve

Original analog Master tape : YES

Heavy Press : 200g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Live

Record Press : Quality Record Pressings

Label : Analogue Productions

Original Label : Prestige Bluesville

Recorded live at The Steamboat, Austin, Texas on April 1, 1980

Remastered by Ryan Smith at Sterling Sound




Originally released in 1992

Reissued in 2016


Tracks :


Side A :
  1. In The Open
  2. Slide Thing
  3. They Call Me Guitar Hurricane
  4. All Your Love I Miss Loving

Side B :
  1. Tin Pan Alley
  2. Love Struck Baby
  3. Tell Me
  4. Shake For Me
  5. Live Another Day

Reviews :

With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush and Hubert Sumlin and rock 'n' roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.

Before the Montreux Jazz Festival, before Bowie's Let's Dance album, before Texas Flood, before the Grammys, before the cocaine and alcohol abuse, before the redemption of sobriety, before the joyful In Step and Family Style ... before August 27, 1990... before the all-star tributes, before "The Legendary Stevie Ray Vaughan"... There was an unknown, hardworking 24-year-old gunslinger named Little Stevie Vaughan, learning his craft the hard way in the trenches of the Austin Texas clubs, trying his darndest to get out of the shadow of his famous older brother Jimmie. It wouldn't be long.

Anyone lucky enough to have been in the audience at this early live show, on April Fools Day in 1980, could have told you that. Young Stevie Vaughan (he had yet to become Stevie Ray) blasted the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing.

Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's "In the Open" and the lengthy "Tin Pan Alley" are the real highlights here.

As with their vaunted box set reissues, Texas Hurricane, again Analogue Productions brings you the finest-sounding Stevie Ray Vaughan collections ever preserved on 200-gram vinyl. Ryan Smith at Sterling Sound cut the lacquers for the LPs using the ultimate VMS 80 cutting lathe. Gary Salstrom handled the plating and the vinyl was pressed at Quality Record Pressings.

« This 1980 live broadcast from Austin, TX captures a young Stevie Vaughan (he had yet to become Stevie Ray) blasting the hometown crowd with a style that was already very well-formed. With Chris Layton on drums and bassist Jackie Newhouse (Tommy Shannon would join up a year later), his basic sound was already in place, albeit still in need of some polishing. Taken from the surviving two-track master, Vaughan's guitar is raw and in your face every note of the way. His takes on Freddie King's "In the Open" and the lengthy "Tin Pan Alley" are the real highlights here. Fans of this mercurial guitarist will want to add this one to the collection. » AllMusic Review by Cub Koda

 

Ratings

AllMusic : 2 / 5 , Discogs : 4.48 / 5  


Recently viewed