Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)
Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)

Vanilla Fudge - Vanilla Fudge (2LP, 45RPM, Mono)

€99,00
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Carmine Appice — drums, vocals

Tim Bogert — bass, vocals

Vince Martell — guitar, vocals

Mark Stein — lead vocals, keyboards

 

2 LPs, gatefold cover

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45RPM

Size : 12”

Mono

Studio

Record Press : RTI

Label : MOFI

Original Label : ATCO Records

Recorded in 1967

Engineered & mixed by : Bill Stahl, Joe Veneri

Produced by Shadow Morton

Originally released in 1967

Reissued in 2020

 

Tracks:

Side A:

  1. Ticket to Ride
  2. People Get Ready

 

Side B:

  1. She's Not There
  2. Bang Bang

 

Side C:

  1. Illusions of My Childhood - Part One
  2. You Keep Me Hanging On
  3. Illusions of My Childhood - Part Two
  4. Take Me for a Little While
  5. Illusions of My Childhood - Part Three

 

Side D

  1. Illusions of My Childhood - Part Three
  2. Eleanor Rigby

To preserve musical continuity, "Illusions Of My Childhood - Part Three" is repeated at the beginning of Side D

 

Reviews :

"In a debut consisting of covers, nobody could accuse Vanilla Fudge of bad taste in their repertoire; with stoned-out, slowed-down versions of such then-recent classics as "Ticket to Ride," "Eleanor Rigby," and "People Get Ready," they were setting the bar rather high for themselves. Even the one suspect choice -- Sonny Bono's "Bang Bang" -- turns out to be rivaled only by Mott the Hoople's version of "Laugh at Me" in putting Bono's songwriting in the kindest possible light. Most of the tracks here share the common structure of a disjointed warm-up jam, a Hammond-heavy dirge of harmonized vocals at the center, and a final flat-out jam. Still, some succeed better than others: "You Keep Me Hanging On" has a wonderfully hammered-out drum part, and "She's Not There" boasts some truly groovy organ jams. While the pattern can sound repetitive today, each song still works as a time capsule of American psychedelia." AllMusic Review by Paul Collins

 

 

Ratings :

AllMusic : 4 / 5 , Discogs : 4 / 5

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