Yama & Jiro's Wave – Girl Talk (Japanese edition)
Yama & Jiro's Wave – Girl Talk (Japanese edition)
Yama & Jiro's Wave – Girl Talk (Japanese edition)
Yama & Jiro's Wave – Girl Talk (Japanese edition)
Yama & Jiro's Wave – Girl Talk (Japanese edition)
Out of stock
Yama & Jiro's Wave – Girl Talk (Japanese edition)
Yama & Jiro's Wave – Girl Talk (Japanese edition)
Yama & Jiro's Wave – Girl Talk (Japanese edition)
Yama & Jiro's Wave – Girl Talk (Japanese edition)
Yama & Jiro's Wave – Girl Talk (Japanese edition)

Yama & Jiro's Wave – Girl Talk (Japanese edition)

€109,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Piano – Tsuyoshi Yamamoto [click here to see other vinyl featuring Tsuyoshi Yamamoto]

Bass – Akira Daiyoshi

Drums – Tetsujiro Obara

Written by Marvin Hamlish (A1), Bobby Troup (A2), Neal Hefti (A2), Max Steiner (A3), Billy Strayhorn (B1), George Gershwin (B2), Gilbert Becaud (B3), Vernon Duke (B4)


1 LP, standard sleeve

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : unspecified (Japan)

Label : Craftman

Original Label : Three Blind Mice

Recorded at Aoi Studio, Tokyo on December 17, 1975

Engineered by Yoshihiko Kannari

Produced by Takeshi Fujii

Reissue produced by Kouki Hanawa

Lacquer cut by Mitsuharu Kobayashi

Art Direction by Ben Nishizawa

Liner Notes by Yoshio Gyoda

Originally released in 1975

Reissued in May 2022


Tracks :

Side A:

  1. The Way We Were
  2. Girl Talk
  3. Gone With The Wind

Side B:

  1. Take The 'A' Train
  2. I Love You Porgy
  3. What Now My Love
  4. Autumn In New York


        Review:

        Completing a "trilogy" of great records that started with Midnight Sugar and Misty, Girl Talk solidified Tsuyoshi Yamamoto's reputation as Japan's premier jazz pianist. Though he would continue to tour and record for Takeshi "Tee" Fujii more than a decade, Girl Talk became the pinnacle of his career. This trio of classic LPs together are a benchmark in Japanese jazz records in particular and recording engineering in general. As usual, master recordist Yoshihiko Kannari worked with Yamamoto, bassist Akira Daiyoshi and drummer Tetsujiro Onaba at AOI Studios, Tokyo, which featured a tight, nicely baffled room. Kannari's recordings are prized for their immediacy and dynamic expressiveness, both traits exhibited on Girl Talk to startling effect. Like Midnight Sugar and Misty before it, Kannari's work on Girl Talk won him the prestigious Swing Journal Critic Poll "Jazz Disc" Engineering award in 1976.

         


        Ratings

        Discogs : 4.89 / 5 


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